This post is going to be a hodgepodge of thoughts, much like the fermentation one. Hopefully once I get past the 30 Days posts the blog will tend to lean in more this direction. The 30 Days posts, by the way, are obviously taking more than 30 days but I have a lot of thoughts swirling about the Gender post and I've written it like three times and haven't felt fully satisfied with it so it'll be a while. Don't worry. It'll get done.
Anyway, the topic of this one is Seasoning! But not really like..about spices. Although if you want my opinion on spices my answer is this: CUMIN. Maybe turmeric.
The seasoning I'm discussing here is about process, about shaping something and the way something becomes itself, or, more itself than it was before in its raw state. (okay yes a lot of crossover with the fermentation post)
I've been drawn to things lately that require seasoning: I find it soothing and empowering, using and re-using and repeating these steps to enhance my connection to an object and make it come alive for me and work to its full potential. And this happens in my spiritual work and the kitchen. I'm starting to think that there's really no difference between those two realms.
Let's talk about Cast Iron Skillets. Because they are simply fantastic. I tend to need to boost the iron in my diet, and cooking with cast iron helps accomplish that. The thing with cast iron of course is that it needs seasoning. If you get one new from the store, it will have a rougher surface, more graphite than black, and THINGS WILL STICK TO IT AND YOU WILL CRY. Unless you season it. The process is basically this: Clean it out with soap and water, dry it thoroughly, don't let it air dry because that way lies rust. Then, IMPORTANT: Slather that thing in fat. If you're of the vegan persuasion use a vegetable oil, but be sure to use one with a high smoke point because you don't want it turning rancid and leaching all sorts of horror out into your food. In my kitchen worklife, I like to use bacon grease. Or if I have extra around from pie adventures, homemade lard.
And then you bake your skillet (or dutch oven, or griddle, or what have you) in the oven, at a low-ish temperature, for a long time. And turn it over, and rub it down with a towel, and make sure that the fat is soaking into its pores. Cast iron has pores. and you want to basically cook that lubrication into the pores, and keep cooking with it and taking it to the cookware spa, basically, until you develop a smooth as glass shiny black surface that no egg will stick to. It's hands-on, sort of intimate caring work that by its very nature fosters a sense of connection and familiarity with a kitchen tool. When I season cast iron, I am helping to bring it to life.
It did not occur to me until recently that there was anything I'd call magical involved in this process, but it snuck up on me and caught me unawares. During my ongoing study of hoodoo I realized that the basic repetitive care annointing process I'd been using on my skillets is essentially the same steps one would take to make a mojo hand, or various other types of conjure working. These things need to be "fed," to use the terminology, which emphasizes that what is being made is a living spirit, and it needs to be sustained through continued care on the part of the practitioner.
I gave my number 3 skillet a name without even really thinking about it. I call it Baby Skillet and I'm very protective of it, which, okay, looks a little deranged to an outside perspective, but Baby Skillet and I have an excellent working partnership and my breakfasts would not be the same without it. By that extension, I would not be the same without it.
More recently, in my tea-appreciation journey, I've purchased one of those Really Excellent Ancient Chinese Secret Totally Superior Yixing Clay teapots you may have heard touted at Teavana. I'm not going to get into my problems with Teavana here, but yixing (or zisha) clay has some really nice properties that make for really, really, amazing tea preparation, depending on the type of tea. Not so much green tea, since the pots tend to hold heat too well and turn it bitter. But oolong? puerh? spot on. And it did not come as a surprise to me at this point that my new teapot needs to be seasoned, though repeated brewings and washings and care. Already by the third brewing, the teapot has lost almost all of its "I've been in a box" smell, and the tea that comes out of it is starting to taste better.
Of course this is going to be a long process, and the teapot (I'm thinking I'll call it Marceline? since it's sucking up color?) is still very much in the absorption process so the tea does not quite have the nice thick mouthfeel that it would if I brewed it in a nonporous container like a gaiwan. But I'm okay with that, really, because I know that if I keep working with the teapot and invest time in a long-term relationship with it, this will be more rewarding for me in the long run.
A record of my attempts to synthesize the very, very mixed aspects of my personality and background into something resembling a coherent spiritual identity. I'm building this sucker from the ground up. And I'm really trying to Do The Research. Featuring food, fun, and fiber crafts.
Showing posts with label magic. Show all posts
Showing posts with label magic. Show all posts
Wednesday, April 25, 2012
Saturday, January 7, 2012
Day Five: Dance Magic Dance
- Beliefs – Magic: In which I rant about my past and talk about word spelling and genealogy and hoodoo
The
time has come, friends. I’m going to talk about MAGIC. Brace
yourselves.
When
I originally stumbled into the world of modern paganism, I was a
little bewildered by all the magic. It’s not that I outright
thought magic wasn’t real, per se, but I was, shall we say,
dubious. Imagine that in a Tim Gunn voice. All the emphasis on magic,
or “magick” as the sources I was reading spelled it, seemed,
well, a little hokey. And big disclaimer here, I was reading some
really
bad books.
I was reading Silver Ravenwolf, for goodness’ sake. It was
ridiculous. Just recently while Girlfriend was helping me clean my
room out of all my old useless shit, I came across a copy of Teen
Witch
and I had to work really hard to convince her that it was much, much
better to recycle the book, or shred it or burn it, than donate it to
charity or the library. Because it’s just...harmful to a person’s
outlook on life and their religion. It just is. And I maintain that
if I want to burn a book I paid money for once upon a time and,
horror, read and enjoyed at the time, I can totally do that.
Girlfriend objected. Whatever it’s getting recycled so hopefully
people can make good books out of it. Or maybe it’s going to be
reincarnated into a James Patterson book. That would just be my luck.
Oh
my god can I write a blog entry without becoming a ridiculous
rambling crazy person, please. So Magic.
I
don’t spell magic with a ‘K’ because in the first place I grew
to think it was kind of stupid to spell it that way, and then when I
learned why the K was added in the first place, I realized I don’t
agree with/care about that system of thought. Aleister Crowley’s
application of Hebrew numerological significance to his ceremonial
magic does not hold any spiritual meaning for me. Now for Ceremonial
Magicians (CMs), I can see how that spelling would render the word
“magic” much more significant and powerful. This doesn’t
explain why every piece of Wicca 101 pulp has to use that spelling,
but whatever.
Magic
as I first learned about it seemed stilted, with all the incantations
and elements and casting of a circle to create sacred space and tools
required. My early attempts made me feel self-conscious and stupid.
My focus turned to my domestic environment, and the cleansing and
protection of it. I used a lot of salt. I was never one for big grand
spellwork, and the one time I attempted something really serious it
had serious and seriously unexpected results. There were
ramifications. It sparked a really strange short-lived relationship
between two people who were both young and confused and full of
emotions and, okay, there’s a little bit of regret there, but from
this experience I learned some important things. I don’t use magic
unless I think it will genuinely augment, NOT replace, physical
mundane efforts I make to fix problems and improve myself.
I
have also learned that I really don’t think witchcraft as a magical
system works for me. It’s very European in feel, to my mind.
Generic neopagan magic tends to rely a lot of new age ideas like the
powers of various crystals without really going into why
these things work. And, as earlier stated, ceremonial magic just does
not appeal to me at all.
There
is, however, a magical system I’m learning to use (sparingly, and
so far only directed at myself). One of the factors sparking my
spiritual renaissance (let’s call it a renaissance, I like that) is
the idea that my local environment should inform my practice. The
difficulties I encountered when learning about cultural
reconstructionism involved the fact that I can’t in good conscience
pick one culture or pantheon to honor. My ancestors came from all
over the place. I look in the mirror every day and see a mix of
features that I enjoy, surely, but are also problematic in my
everyday interactions with people. (pro tip: If you see a person who
looks like they might be multiracial, it’s rude to blurt “what
are you?” Particularly if this is at someone’s place of business
and therefore undermining their ability to do their goddamn job.)
My
father’s family all identify as African-American, but (like many
African-Americans) they have a significant portion of European
ancestry. Specifically, there is a lot of French ancestry, as well as
a bit of Native American ancestry (also on my mom’s side as well,
though her family is chiefly British Isles-oriented). I feel like it
would be disingenuous of me to focus on a pantheon or a magical
system that is purely European in origin. At the same time, though, I
feel a bit nervous about investigating African traditional and
diasporic religions because it feels like cultural appropriation.
Also, there’s not one single African culture, and thanks to
slavery, it’s impossible for me to research exactly where in Africa
my father’s ancestors came from. Okay not without a really
expensive genome test, which I REALLY WANT SOMEDAY because I love
genealogy and the study of human origins but that’s another story
for another time.
Long
story short, I feel like if I’m going to continue to incorporate a
magical system into my life in some way, it needs to be one that
reflects the varied cultures that are part of my ancestry, and it
also needs to be thoroughly American. Because that’s what my
culture really is, let’s be honest. I am an American, and the city
and the state and the country in which I live colors my view of the
world, natural and political and spiritual.
Last
year, I learned about hoodoo. It is basically the jazz music of
magical systems. Derived from the African diaspora with influence
from Latin American, Native American, and various European cultures,
it is firmly associated with the Blues and the South and it has rules
and structures that make sense to me. There’s no “harm none”
advice in hoodoo, but more of a “be aware that if you do something
harmful to someone they have every right to retaliate so take some
precautions.” It is a magical system developed by and for
marginalized people, who do not get their needs met by hegemonic
societal structures.
Basically
this draws the biracial queer girl like hipsters to a sale at the
thrift store.
One
thing I really enjoy about hoodoo is that it’s not squeamish. It’s
all about bodies and the things they do and produce. It accepts death
as a part of life and a great importance is placed on bones, claws,
roots, the things left behind by plants and animals and people.
Another thing in its favor is that hoodoo or conjure workings have an
animist element to them. Making up a mojo hand essentially involves
creating a container for power through the addition of various items,
and giving life to that power and feeding it and maintaining it over
time. It is the direction of the spirit in things, and a reciprocal
honoring of those spirits that continues. There’s a relationship
involved, like responsible pet ownership. You have to take care of
it. Other systems of magic I’ve looked at seemed oriented towards
the raising and focusing of energy and then just sending it out into
the universe to do its work and...then sort of moving on. The
structure of hoodoo fits much more easily with both my ethics and my
daily life.
So
far I’m only operating on the fringes of this system. I like to
research things before I jump in and start going crazy with conjure.
There are some good sources available online, the first of which is
Lucky Mojo. There are also,
surprisingly, a lot of shops on etsy that make the materials
available, and (HUGE bonus points here) hoodoo supplies are a LOT
CHEAPER than other magical supplies. It has a lot in common with
green or kitchen witchcraft in that it’s a very do it yourself
system, but given my cultural identity and my location, hoodoo seems
to work much better for me.
Has
this blog entry been ridiculously long? Has it been too off-topic?
Was there more I could have said? Please do let me know. Blogging
your innermost thoughts is hard, man.
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